Eli Reviews: Deltron 3030 – Deltron 3030 (2000)

Fans who have found me through my cruise ship career might be surprised to see me review hip hop/rap. It’s not a favorite genre of this demographic and not one I’ve probably ever covered in the piano lounge but I actually really love 90s hip hop. The samples chosen were largely from funk and jazz records from my favorite eras and the beats really grooved. I love the texture the samplers and drum machines imparted to the recordings and love the delivery of a lot of the rappers from this era, even though I’m not normally paying much attention to what they were saying.

I think because the medium requires so many more words than a sung song of the same length (words go by a lot faster in rap and have no limitation of marrying with a melody) there could be the potential to really say more than a song could, but I’ve not heard much rap live up to that. I’m satisfied when it’s just not about something ugly or inane and the beat smacks.

So I was super happy to stumble upon Deltron 3030, which is a concept album mostly depicting a sci-fi future scenario involving a mecha-soldier and his defection from an evil empire. I learned that from Wikipedia as I didn’t actually catch all that the first time around…But I was enjoying the miscellany of sci-fi references and the really awesome beats that Dan the Automator made for it – I’ve since followed him around Spotify and have admired all his production work so far.

“3030” is probably the best track, with this amazing orchestral sequence Dan the Automator sampled from William Sheller (I’ve yet to listen to this guy, a French composer and songwriter) bringing an epic breadth to the track. “Mastermind” has a crunchy beat to it and my favorite is probably “Virus” where Del the Funky Homosapien rhymes ‘virus’ with ‘papyrus’ and it’s great.

My wife was wondering if the album wasn’t just a hodge-podge of science fiction terms and I can’t say that it isn’t – I definitely drift off towards the latter half. But it’s really inspiring to me that these guys stuck it out with their concept, blending their cross-media loves into their music. I have in mind to continue my ‘Quixote’ concept/character with later EM/FM releases so it’s really nice to have guiding stars like this one.

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Eli Reviews – Knights Of Fantasy – Deodato (1979)

Deodato does disco! I’m maybe four albums into his discography and I already know this one will be one of my least favorites. It doesn’t seem quite as inspired as a few of his others from this era but it still has plenty for the brain and the booty, with tight grooves and great synth-ing over jazz chord progressions. It just seems like an odd choice to me to go full disco towards the end of that craze, but some 80s sounds have entered here with what seem like synth drums and the very 80s hand claps.

There’s only five tracks on this one, but they’re almost all around seven minutes. It doesn’t really make any of the tunes more memorable and I found myself thinking as great as the players are (I don’t recognize any of the names on this one) between solos songs like the title track are almost muzak. There’s some really nice brass somewhere on the album, and the last track, “Lovely Lady”, sounds a lot like the Japanese jazz fusion I love from the same era.

Funnily the part I enjoy most is just an intro, and in fact the intro to the most questionable track: a disco version of Bach’s “Jesu, Joy Of Man’s Desiring”. It’s reminiscent of the Star Wars disco medley, but then this one steps outside of any logic and goes into “Love Is Blue”. I won’t say it doesn’t work. Then it gest funky in a disco way before going back to Bach.

But anyway, the intro is very cool and it reminds me a little of one of my own tunes as EM/FM “The One”!

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